What else is different or new here? Two verses: the first one borrowed from Bede's ancient Ascension hymn, which seems to fit Palm Sunday just as well, and the last one which is my own. Bede's verse speaks of Jesus' destination and enthronement on high, but the use of that verse here only reminds us that the way upward leads first to and through the final showdown with the arch-enemy, and downward into suffering, dereliction, death, and burial.
With so many verses — all verses of "Ride On, Ride On" are present and accounted for and surrounded by two others — some sort of break strain seemed in order, so that too is my own. If the blatting lower brass compounds the clumsy, somewhat comical quality of the tune itself and the awkwardness of the donkey ride, the same instrumentation will return with (I think) greater grace and uplift in Track 11, "From Death to Life" (re: which, see previous post).
Here is an excerpt from the liner notes regarding that final verse:
Thinking then of [Jesus'] mission as the fulfillment of the oldest prophecy in the Bible, that of the showdown between the seed of the woman and the seed of the serpent (Gen 3:15) and with Johann Georg Hamann’s Biblical Reflections of a Christian in mind, along with Chapter 4 of the Scots Confession, I added this verse:
Now Death’s appointment with death has come.The Lord of life, with true aplomb,By mortal heel, immortal trust,The serpent’s head will turn to dust.
1 comment:
This is really unique! I love the mix of old and new and the complex rhythm. Can you tell us more about your writing process? And recording? Love it! Thank you for sharing!
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